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Gennady Nikolayevich Rozhdestvensky, CBE ((ロシア語:Генна́дий Никола́евич Рожде́ственский); born 4 May 1931) is a Russian conductor. ==Biography== Rozhdestvensky was born in Moscow. His parents were the noted conductor and pedagogue Nikolai Anosov and soprano Natalya Rozhdestvenskaya. His given name was Gennady Nikolayevich Anosov, but he adopted his mother’s maiden name in its masculine form for his professional career so as to avoid the appearance of nepotism. His younger brother, the painter P.N. Anosov, retained their father's name. He studied conducting with his father at the Moscow Conservatory and piano with Lev Oborin. Already known for having conducted Tchaikovsky's ''The Nutcracker'' ballet at the Bolshoi Theatre at the age of 20, he quickly established his reputation. He premiered many works of Soviet composers, including Edison Denisov's ''Le soleil des Incas'' (''Sun of the Incas'') (1964),〔''Edison Denisov'' by Yuri Kholopov and Valeria Tsenova. Harwood Academic Publishers, 1995〕 as well as giving the Russian premiere of Benjamin Britten's ''A Midsummer Night's Dream'' and the Western premiere of Dmitri Shostakovich's Fourth Symphony at the 1962 Edinburgh Festival. He became general artistic director of the Bolshoi Theatre in 2000, and in 2001 conducted the world premiere of the original version of Sergei Prokofiev's opera ''The Gambler''.〔(【引用サイトリンク】url=http://www.bolshoi.ru/en/theatre/person/detail.php?act26=info&id26=813 )〕 Not long afterwards he resigned, citing desertion by singers, production problems and hostile coverage by the Moscow press. Among the works dedicated to Rozhdestvensky are Sofia Gubaidulina's symphony ''Stimmen... Verstummen...'' and several of Alfred Schnittke's works, such as Symphony No. 1, Symphony No. 8, and Symphony No. 9. Schnittke wrote of him: :"I once calculated that there are now some forty compositions written for Rozhdestvensky—either derived from his ideas or else he was the first to conduct them. I could not believe it, but it really is so. I could even say that nearly all my own work as a composer depended on contact with him and on the many talks we had. It was in these talks that I conceived the idea for many of my compositions. I count that as one of the luckiest circumstances of my life." 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Gennady Rozhdestvensky」の詳細全文を読む スポンサード リンク
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